Playwright Mark Leiren-Young explains why Shylock needed a revival in 2024

How a two-decade-old script got rewritten and tailored to Saul Rubinek.
Mark Leiren-Young is the playwright behind 'Playing Shylock', a meta-analysis of modern-day antisemitism and cancel culture based on 'The Merchant of Venice'. (Supplied photo)

Mark Leiren-Young wrote Shylock in 1996, a play using Shakespeare’s controversial Jewish character in The Merchant of Venice to explore modern-day cancel culture. While the script saw productions aorund the world, Leiren-Young was wary of giving the rights away too quickly, knowing it was complex, sensitive subject matter that required an intellectual approach.

So when he met the acclaimed actor Saul Rubinek, who proposed that Leiren-Young rewrite the script to tailor it to his own real life, Leiren-Young jumped at the chance. A fan of blending fact with fiction, the B.C.-based writer began researching Rubinek’s life and updating the nearly 20-year-old script to match a post-pandemic view of what “cancel culture” really means.

The result is Playing Shylock, running at Canadian Stage until Dec. 8 in Toronto. Leiren-Young sat down with his old friend Ralph Benmergui to discuss how this show came to life, what it was like creating the production during and after Oct. 7, and how he got his start in writing—including an early break writing an unconventional pacifist episode of the ’90s CGI cartoon Beast Wars.

Credits

  • Host: Ralph Benmergui
  • Producer: Michael Fraiman
  • Music: Yevhen Onoychenko

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